BBC One Haka ident
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In 2001, Lorraine Heggessey assumed the role of BBC One Controller and was candid about her disdain for the iconic balloon ident, describing it as “slow and distant.” This sparked a comprehensive review of BBC One’s branding. When the revamped look was revealed on Good Friday in 2002, it marked the end of not just the balloon but also the iconic globe, a symbol that had been synonymous with BBC One since 1964.
In their place, eight new idents were introduced, each centred around a dance theme and filmed across various locations in Britain. The BBC ONE logo transitioned to the “box” style similar to that of BBC Two and was relocated to the bottom left corner of the screen. According to Heggessey, these new idents -featuring disabled dancers and individuals from diverse ethnic backgrounds – reflect the BBC’s commitment to internationalism and multiculturalism. However, critics argue that the new idents reek of “token political correctness,” with some asserting that they fail to convey the channel’s essence.
Initially, a station clock was designed to complement the new branding, but it was axed at the eleventh hour by BBC Marketing. This decision led to an awkward moment for BBC One just a day after the rebrand. Crafted by Lambie-Nairn, the new idents came at a price tag of £700,000. It’s worth noting that such initiatives are feasible for the BBC due to its unique funding model, supported by the public.
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Emerging from the depths of digital TV, “Little Britain” ascended to become one of BBC’s most triumphant comedy hits in recent memory. To commemorate the premiere of its third series on BBC One in November 2005, the channel enlisted Tom Baker, the show’s narrator, to serve as the continuity announcer for the evening. While no special idents were introduced, Baker infused the broadcast with his own unique and vibrant flair.
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When Lambie-Nairn assumed control over the branding for both BBC One channels, a unified aesthetic was established, harmonising trails, menus, and other elements through consistent fonts and styles. However, signs began to emerge that each channel was carving out its own distinct identity. On May 1, BBC One underwent a revitalising refresh. While the idents and the BBC One logo remained untouched, virtually every other aspect underwent transformation. Programme slides, trailer endboards, and menus all embraced a vibrant red colour scheme, complete with animated endboards.
The channel also transitioned to a new station font: the bold Helvetica Neue Thin Extended replaced the more subdued Franklin Gothic Demi. Perhaps the most eye-catching feature of this refresh was the introduction of animated “shutters” that closed each trail, lending a sharper distinction between promotional segments. Aimed at imbuing BBC One with a more youthful vibe, this refreshed look made its debut in the early evening.
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